“Stories in the Making”—Guest Post at Lara Britt’s Writing Space

Grandmother and Blackie

“Stories in the Making” appears today as part of Lara Britt’s Memoir Mondays series on her blog, Writing Space—my first guest post ever! Thanks, Lara, for the invitation.

“Stories in the Making” is about the influence of previous generations on my fiction. Here’s a bit of the post. “She” is my maternal grandmother.

The story she always told about her father’s death is a special gift to me in terms of writing material. He died in a hunting accident when she was twenty-three. My mother would have been two years old at the time. My grandmother was at her parents’ home when neighbor men brought her father’s body back from the woods. She always said she had nightmares for a long time after that day, the image of his bloody head still stark in her mind.

Hop on over to Lara’s Writing Space to read the whole piece. Happy story hunting!

“If I could write the beauty of your eyes” —William Shakespeare

A few days ago, I launched my Writer Page on Facebook.

Novel note card, April 2011

Over the last six weeks or so, I have gone places I’ve never gone before—on the Internet, that is. No, I have not been visiting naughty websites. I’ve been doing something the publishing industry calls “Building a Platform.” Note the caps, a signifier of importance. It seems a platform is important for writers. Even those of us without a published book are encouraged to go ahead and start putting ourselves “out there.” So that’s what I’ve been doing under the fabulous leadership of one Not-Bob, or Robert Lee Brewer, who led the My Name Is Not Bob April Platform Challenge.

April, you say? Yes, the challenge ended when April did, but the momentum continues.

I was already a Facebook person, and I “did” LinkedIn. I had signed up for Twitter, added Google+ and Red Room, and I’ve been visiting my fellow platformers’ blogs like crazy, with great admiration for their ability to write posts (daily, some of them; wow), juggle jobs and kids and lives and still write their novels or poetry or memoirs or whatever is dearest to their hearts.

My final goal was to create the Facebook Writer Page. Did I dare call myself a writer and make it a public declaration? When I finally held my nose and dived in, it wasn’t all that bad. In fact, it was fun, and many friends and fellow writers dropped by quickly and “liked” the page, so it’s gotten off to a good start.

Something interesting surfaced in the midst of all that. When I started to create the page, I had to choose a category from among businesses, organizations, nonprofits, brands, and such. I considered all the options and decided on Artist, Band, or Public Figure. I’m not an Artist (well, that one’s close; I like to think I am, with words); I’m not a Band; and I’m certainly not a Public Figure. (Notice those caps again.) The ah-ha moment came when I held my breath and clicked on Artist and saw I had choices there, too.

What kind of person am I? What’s my identity?

Two of the options were “author” and “writer.” Hmmm. Author sounds a little stilted, I thought, so instinctively, I went with writer. After all, that’s what I call myself these days.

It started me thinking. I’m a former English teacher. I should know the distinction between those two words. Writer is more generic? An author is someone . . . more established? I finally gave in and looked them up. Here’s some of what I found.

(If you hate it when people quote the dictionary, you should maybe stop here.)

According to Merriam Webster: an author is “one that originates or creates; the writer of a literary work (as a book). Author originates from the Middle English auctour, from Anglo-French auctor, autor, from Latin auctor promoter, originator, author, from augēre to increase.” The word dates from the 14th century.

A writer is “one that writes [refers to the definition of write] as a: author [one and the same? Really?] and b: one who writes stock options.”  The word traces to the 12th century.

So the word writer pre-dates author, but it doesn’t have the fancy pedigree.

My Dashboard dictionary on the Mac defines author as “someone who writes books as a profession” and writer as “a person who writes books, stories, or articles as a job or regular occupation.”

Are we splitting hairs here?

Let’s look at the word write. Merriam Webster begins with the simplest definition—to “form characters or symbols on a surface with an instrument (as a pen)”—and progresses  to “to set down in writing; to be the author of; to express in literary form.” Ah, getting closer. The example that follows is a line from Shakespeare: “if I could write the beauty of your eyes . . .”

So which am I? I think I’ll stick with writer.

A writer puts marks on a page, yes. She makes words, yes, and symbols, sentences, paragraphs, pages, chapters. Stories, memoirs, novels, poetry. She records the world as she sees it. She creates people and places and worlds that didn’t exist before.

A writer makes her mark on the world. That’s what I’d like to do. So call me writer, please. That’s the word for me.

Here’s a question for you: how do you see yourself? Do you call yourself a writer or an author? Is there a distinction in your mind? I expect there’ll be different opinions. I’d love to hear yours.

Consider the Two-headed Coneflower: Character and Oddity

There’s a two-headed coneflower in our garden. A hardy perennial, the coneflower grows abundantly around here. It withstands the heat and drought of long Mississippi summers, withstands neglect (I am proof of that), and practically grows itself.

The coneflowers and their little rudbeckia cousins (black-eyed susans) all surfaced early this year because of the mild winter, but this particular plant outgrew all the others. It’s a bit of a freak. For weeks I watched it grow taller and taller and waited for it to flower. Even its foliage looked different, and I decided maybe it wasn’t a coneflower at all but a weed. At one point it looked suspiciously like a thistle, and I almost pulled it up. When it finally bloomed early in April, it bore these two conjoined flowers on one stem.

So here’s the metaphor; I bet you were expecting one, weren’t you?

The flower’s oddity, its two-headedness, reminds me of how I develop fictional characters. Right now, I’m dealing with a character who’s very hard to like. He’s deceitful, cruel, and violent. He’s a drunk. He’s a racist. He’s a dastardly fellow if ever there was one. As I revise the novel, though, I find myself looking for reasons why this man is the way he is. What caused him to turn out this way? If I asked him, what would his excuses be? I’m looking for his secrets, his oddities, his other side, his vulnerability, his soft underbelly. Surely he must have one. When I find it, the character and the book will be richer for it.

Even after heavy rain over the last few days, that odd coneflower is still there. A bit bedraggled, but hanging on. The other plants, about a third its size, aren’t even close to blooming yet. That’s how I feel some days when the writing doesn’t go so well or there’s no time to work. Maybe that strange, tenacious flower is a gift; it’s here to teach me to look for what sets a character apart. To persevere, no matter what.

What are your favorite tricks for getting to know your characters? I’d love to know. Please post your comments!