Coffee? Lemonade? Or Nothing?

At the end of every hard-earned day / people find some reason to believe.”  — Bruce Springsteen

In “Reason to Believe,” Bruce Springsteen tells it like it is.

By many people’s standards, my days are not “hard-earned.” I have a good life, not without its problems and sorrows, but easy compared to most, I suppose.

My dad’s days, on the other hand, were different. He came up poor, and after high school, he went to live with and work for my uncle, who had a car dealership in a nearby town. When my uncle decided to move back to Pontotoc, the tiny town in the hills of north Mississippi where they had grown up, my dad moved with him. In those days, Daddy followed the big bands that traveled the South. He was handsome, and I have old photographs of the pretty girls he knew. But my mother put an end to what seemed to be his confirmed bachelorhood. When they married, she was eighteen and he was thirty-two. The love affair that was their marriage continued until his death forty-five years later.

Do I believe in providence?

I suppose I do. I’m not certain how my parents met. I know my mother’s best friend lived across the street from the little service station my dad ran. I imagine her walking past the station, never looking his way. Did she and her best friend watch him from the porch across the street? Did they giggle? Did Mother write her name as his—“Mrs. G______”?

I wish I knew the answers. What a shame I didn’t ask.

I can only speculate, just like I can speculate about the coincidence of meeting my first husband at a college party. We were both there with other people, but he cut in and danced with me. Later, I ran into him on campus and he offered me a ride back to the dorm. Still later, he called and asked me out. And that was the beginning.

Or much later, twenty-seven years ago, a phone call came from a college professor I didn’t know. He had seen the high school literary magazine I sponsored, he said, and he needed a judge for a writing contest; would I do it? When I said yes, he offered to bring the materials to my house. And soon, there he stood, on my doorstep, this man I would eventually marry. He says I served him iced tea (it was July, maybe August). What if I’d offered him coffee? Or lemonade? Or nothing? What if I’d said no on the phone? I so easily could have, but I didn’t.

Photo by The Matter of Food on Unsplash

Today or tomorrow, noon or evening. This restaurant or that one.

Why are we in particular places at particular times? Five minutes, or less, even seconds, and the turns our lives take could be so very different. Call it providence. Call it fate. Call it God-ordained. Our lives unfold in mysterious ways.

I’ve lived long enough to look back on the days of my life—some of which were indeed hard-earned, heartbreaking days that I thought at the time would break me—and see how they didn’t. They shaped and matured me and made me a different person from the one I might have been. Is that evidence enough to believe? I can’t prove there’s a force larger than us at work. But the thought sustains me, and that’s what matters.

Have you experienced a particular moment in your life when you felt something larger than yourself at work? Tell me about it in the comments.

This piece first appeared November 18, 2023, on Substack. Want to read more? Go to “Stories I’m Old Enough to Tell.”

On Substack . . .

Hello, friends.

There’s a new edition of my Substack newsletter, “Stories I’m Old Enough to Tell.” This one, “Walking through Fires,” introduces you to Leona Pinson, the main character in That Pinson Girl (forthcoming February 6, 2024).

I hope you’ll go over and read—OR listen! I’ve introduced audio on this post and loved doing it, although I do sound really Southern!

Tough Story Love: How to Give It

How do we offer honest, valuable feedback to someone else’s precious, creative work? How do we respond to another person’s writing without a) simply patting the writer on the back and praising the piece, or b) going so negative that the writer wants to rip the story up and never write again? One way is through “reading and responding” to each other’s work. I prefer that phrase to critique; critique sounds so clinical.

I witnessed the worst-case scenario at a prestigious writers’ conference once, where a young workshop participant was so crushed by the craggy, legendary poet’s critique that she packed up and went home. Too sensitive, you say? Maybe. But I believe any criticism that isn’t delivered with integrity and compassion isn’t worth its salt.

Photo by Evelyn Clement on Unsplash

I learned this lesson the hard way: I taught creative writing to high school students for more than twenty years. Talk about potential for disaster—a room full of teenagers let loose to “critique” each other’s writing! I developed guidelines that work for adults, too.

Many of you are already practiced readers and could offer a tip or two of your own—I hope you will, in the comments—but for those who might not be as familiar with the critique process, here are a few suggestions. None are original to me but common practices I’ve encountered in successful groups.

  • Read the piece once without pondering too much. Then read it closely, paying attention to what works and what doesn’t. Consider the elements of craft (I’m focusing on fiction)—plot, characterization, language, setting, opening/ending, etc.—particularly anything the writer has expressed concern about.
  • Always, always start by identifying something the writer has done well! No generalizations allowed: no “I really liked it” or “Great job!” Those statements may be true, but they don’t help the writer in concrete ways. Say specifically what you believe worked well: “The dialogue sounds real; I could hear those characters speaking.” “I was intrigued by the plot turn when . . .” “Your setting details establish the mood of the story.”
  • Make specific constructive comments. Notice I said constructive, not critical, which means the comments will be useful. Try couching your negatives as questions or “I” statements: “Could you clarify what happens here?” instead of “That’s so confusing.” Or “I didn’t understand when . . .” instead of “You sure lost me!”

Some of you may consider this approach too “touchy-feely.” I’m not saying we can’t offer tough love for a story. We can and should. If all we want is vapid praise, we probably aren’t serious about writing, and we aren’t willing to do the necessary work. Being a good reader requires skill, hard work, and thoughtfulness. It’s a gift we offer to each other.

Remember: as a reader of someone else’s priceless work, be respectful, be honest, be specific, and be constructive! 

Let’s talk. Leave a reader tip in the comments to add to the above. I’d love to hear from you!