The Sisters’ Story

I have never “reblogged” one of my own posts before, but here I am, on the eve of Mother’s Day, thinking I should write something about my mother, and I just ran across this post I wrote back in 2012. My mother is long dead; the women I write about here were still around at the time this piece was written. One of them, Mother’s best friend, Eleanor, died not too long ago, which makes this piece, especially the ending, all the more poignant for me. So Mother, this is for remembering you: your beauty, your fortitude, your laughter, your sadness. Your love for my dad and for me. Your sacrifices. Your truth.

Close Encounter in the P.O.: Two Soldiers

I want to tell you a true story.

At the P. O.

This morning, I stood in line for a long time in our neighborhood post office. As usual, there was only one person working–a woman who, in spite of the line, seemed determined to keep her wits about her by not hurrying. So I did some people-watching. That’s what writers do, right?

A young African American man wearing camouflage stood just in front of me. He was clearly a soldier—muscular build, clean-cut, his head shaved—and when he turned, I saw his clear, beautiful dark eyes. In front of him, a couple of suspicious looking white guys waited. One wore a baseball cap over his dirty hair (he was sending a money order, it turned out, for $57 and some cents); and the other, with his unkempt beard and beady eyes, looking like a character out of Deliverance, struggled with a box so big he had to rest it now and then on the Priority Boxes kiosk next to us.

The line grew behind me, too. I couldn’t help noticing a scruffy, bearded, older white guy when he came in. He wore a prosthetic leg and a sour expression. In pain? I wondered. Deliverance guy turned and stared pointedly at the prosthetic leg (the older man was wearing shorts).

Finally, the line moved, and the soldier in front of me was next. He had been working on a package at the kiosk, and apparently, he’d stuffed something too large into the envelope. It bulged and gapped open at the ends. The postal clerk told him he’d have to tape it up. “I don’t have any tape,” she said, nodding toward the tape for sale.

“What about that tape right over there?” the soldier asked. He was right; there was tape, in clear view on the counter.

“I can only let you have tape if you’re sending it Priority,” the clerk said. The soldier nodded, and she handed him the roll. He taped up his package, paid, and turned to go.

Encounter

Soldier Cloth by lobster 20 Image courtesy of www.freedigitalphotos.net
Soldier Cloth by lobster 20
Image courtesy of http://www.freedigitalphotos.net

As he walked out, the scruffy older man behind me said, “Soldier!” His tone sharp, commanding. I turned. Oh Lord, I thought, not a confrontation.

The young soldier turned, too, and looked at the man.

“Vietnam vet,” the older guy said, as though that was all the explanation needed. “You been in it over there?”

“Yes sir,” the soldier answered, his tone like a salute. “Twice now.”

The Vietnam vet reached across the space between them and offered the younger soldier his hand. “I want to thank you for what you do for all of us,” the old vet said. They shook hands, black man and white, two soldiers standing on common ground in our little post office. The moment was entirely theirs. Choked up, I looked away.

The young soldier went on his way, and by that time, I was at the window, tending to my mundane errand but knowing I had just witnessed something remarkable.

Some Donald Maass Wisdom

Earlier this morning, I had read Donald Maass’s column, “Seasons of the Self,” at Writer Unboxed. First, Maass reflects on his personal past, his present, his future. Then he turns the reflection to the art of writing fictional characters. Every protagonist, he says, must possess personal awareness–a clear sense of where he’s been, where he is, and where he’s going. Here’s Maass:

How does your protagonist understand his or her own evolution? Powerful characters are real people. To become fully real we need to create their personal history.

He goes on to list ways to give protagonists the sense of self that renders them human. This is good stuff; I’d say go read it right now.

Witness

So what does the Maass article have to do with what I witnessed this morning? Just this: I was struck by the fact that each of the soldiers in the post office has his own story: a past self, a present, a future. Their stories crossed in that moment, unforgettable, I would think, for either of them, or for me. I just happened to be there; ten minutes earlier or later, a shorter wait, and I would have missed it. I could invent a story now about either of them, based on what I observed. I have all I need. Whether I will or not, I don’t know. For now, it’s enough to have been there.

A challenge for you!

First, read the Maass article. Then think about the protagonist in your current work-in-progress. How does his/her story interact with the stories of others? How does such a moment of encounter impact his/her self-knowledge? Write a “fresh” encounter your character has that reveals something about his or her sense of personal history.

Or, think about your personal story in this light: How has a moment of encounter changed you? Write about it!

Polio Summer

In the United States, the 1952 polio epidemic would be the worst outbreak in the nation’s history, and is credited with heightening parents’ fears of the disease and focusing public awareness on the need for a vaccine.[20] Of the 57,628 cases reported that year 3,145 died and 21,269 were left with mild to disabling paralysis. — Wikipedia

Most of those polio victims were children. I can’t attest to the accuracy of these numbers, although they are documented. But I can attest to the fear.

I was reminded of it when I read an article the other day about Mark O’Brien, a poet who was stricken with polio at age six and confined to an iron lung for the rest of his life. He died at 49. (His story inspired the movie, The Sessions.) As I read, the memory of a particular summer in our small town came flooding back. I’m not sure it was 1952. It may have been a different year, but it was our personal summer of terror and dread.

It was probably a typical Mississippi summer–the smothering heat, the mimosas in bloom, the late afternoon thunderstorms that didn’t cool things off but made steam rise from the pavement, the attic fan that barely stirred the hot air inside the house.

Ordinary, until children started becoming ill at an alarming rate.

As panic spread, my parents kept me out of crowds and away from swimming pools. My best friend’s younger sister and brother came down with severe cases. My friend did not. Her sister was transferred to a Vicksburg hospital, designated a regional pediatric polio center, where she would receive more treatment and therapy. Just as many other children did, that little girl spent weeks there, far from home. She would have been about five years old. What must that have been like for her? What was it like for her mother and dad, to be separated from her?

Boy and Vaccine Syringe / Photo by Sura Nualpradid / Courtesy of freedigitalphotos.net

Boy and Vaccine Syringe / Photo by Sura Nualpradid / Courtesy of freedigitalphotos.net

I had other sick friends, too, and there was little anyone could do to help. My mother suggested I share some books with a friend who had a fairly mild case of polio but still faced a long recovery. So I gathered books, and one of my parents delivered them (whoever took them would not have entered the house). I didn’t know my books wouldn’t be returned. They were burned.

The worst case, the one that affected all of us more than any other, was a young boy so severely ill that he required an iron lung. I remember our prayers for him at school and in church. I remember the day the teacher told us he had died. In my memory, it was September; we were back in school, and I was sitting in art class. Dead? My reaction was selfish. I was terrified. A child could die? Old people died, not children.

I didn’t get sick that summer. My friends got well, eventually. My best friend’s sister was left with scoliosis that would plague her for the rest of her life. None of us would ever be the same. Whether we were directly touched by polio or not, we learned some hard lessons: that our parents, no matter how good they were or how strong or how faithful, no matter how much they loved us and cared for us, couldn’t always protect us from harm. That our bodies were frail. That disease and death were real and close, lurking in the innocence of a shared sip, a touch, the water in a swimming pool.

In 1955 the Salk vaccine was introduced. A godsend, but it was too late for many.

Thinking about that long summer has been interesting. I’m surprised by the details I remember, like the burned books. The memory of the fear is so real it’s almost visceral. I’m surprised, too, by the things I feel I’m recalling incorrectly. (Was the child who died a boy, or was it really a girl? I can’t say for sure.)

Memory is a slippery thing. It warps our stories and makes liars of us, even when we’re trying our best to tell the truth.

Do you have a memory that eludes you, that’s difficult to recall truthfully? How do you feel about the fictions our minds create about the past?