History: a photo essay plus a few thoughts

Back in the summer, #3 son, his three older children (seventeen, fifteen, and eleven), and I “toured” my home town. His youngest, only six, stayed home; she’ll have to get the genealogy tour later, when she’s ready. Son wanted the grandchildren to learn about where I—and by extension, they—came from.

I worried that in Pontotoc, Mississippi, a town nestled in the red clay hills near Oxford (the home of Ole Miss), there’s not much to see: the square, now virtually stripped of the old trees I remember, with its Confederate monument. The store my dad once owned, now an antique shop. A museum housed in the post office, itself an historical building. The house where I grew up, and the one where my parents lived later.

It turned out to be a drizzling, sticky day, and I must admit when we left the hotel in Oxford that morning, I didn’t have high hopes. I anticipated bored kids and a general disappointment with grandmother’s roots.

I was wrong.

As we drove through town, I pointed out landmarks: the square, the courthouse (hard to miss), my dad’s store, the store on the corner that had once been my uncle’s grocery, the flaking ghost of an old painted grocery ad still evident on the side of the building.

After the post office museum where we spent maybe half an hour and the women volunteers told the kids stories and connected with me—”Now, you’re so-and-so’s daughter?”—we stopped by the Presbyterian church I grew up in. I had emailed the church ahead of time and learned that its doors are never locked; we were welcome to drop by any time.  No one was there, but we walked right in.

I had not been inside that church since my grandmother’s funeral in 1994. Indeed, my last three visits there had been for funerals, so maybe that gloom had affected my memories of the place.

This time, I was stunned by how beautiful and meticulously maintained the church is: the polished dark woodwork. The breathtaking stained glass windows. At the back of the sanctuary, the tall folding doors with the same stained glass that, during my childhood, partitioned it off and made it smaller and better suited to the congregation. The only times I ever saw those doors open were for weddings and funerals. They are a magnificent work of art and architecture tucked away in this unpretentious place.

It had never occurred to me to ask about the history of the stained glass; isn’t that terrible? But history means more to me as I get older. I intend to find out, and I will certainly share it with my children and grandchildren.

We explored: we lingered in the prayer room at the back of the sanctuary, its walls lined with books. We went upstairs to the room where I dressed for my first wedding when I was twenty-one years old.

So many memories for me. The kids responded with curiosity, love, and awe. They listened to my stories. They opened doors, peeked in nooks, touched things–the books, the glass, the dark wood–not in a bad way, but as though they wanted to take something of this place away with them and lock it in their memories, too.

There’s a photo I didn’t share here: one of me with the three grandchildren, standing in the narthex of the church. That one is private, a connection to them and a precious time we shared.

If you have not “gone home” lately, I encourage you to do it. More importantly, go with someone you love. Share the place. Share the stories.

If this piece inspires you to remember, share a memory here in a comment. If it inspires you to write a post, share your link. I would love to read about your special, remembered places.

 

 

 

 

Hair Today—Gone Tomorrow?

When my husband needs a haircut, he says, “I think I’ll go get a haircut.” He breezes out the door and is back in an hour.

For me it’s a life-altering decision.

When I’m dissatisfied with my hair, it colors my entire life (pun intended). Bad hair puts me in a mood to match. So, back in the fall, when the haircuts weren’t working, they left me in a perpetual state of agitation.

But oh, change is tough. A woman develops loyalty to whoever puts scissors to her hair, let alone colors it, and rightfully so. Talk about trust issues. When the time comes for a change, it feels like betrayal. Just asking my friends for recommendations or browsing the yellow pages or scouting salons online felt like I was sneaking around.

Drastic measures

Changing hairdressers requires much soul-searching and justification, tallying grievances that make a drastic move not only desirable but also necessary. Here are a few of mine:

  • S/he cut it too short.
  • S/he didn’t cut it short enough.
  • S/he was running late.
  • S/he was distracted.
  • S/he talked too much.
  • S/he didn’t listen to what I said I wanted.

And so, after agonizing for weeks and then acting on a whim (if I didn’t act on a whim I would never, ever pick up the phone), I called a hair stylist a friend had recommended. I figured it would be weeks before I could get in, but NO. He had an opening the following Saturday. “Noon,” he said.

“Noon?” I repeated, stupidly.

“Yes. Noon.”

“I’ll take it,” I said.

For two nights before that appointment, I had nightmares about haircuts gone bad. I vacillated between guilt and terror. What had I done? Well, I had betrayed a perfectly good hair stylist, that’s what.

It’s only hair.           

When Saturday came, armed with my photo of Helen Mirren with short hair, I set out. I gripped the steering wheel hard. I had sweaty palms. It felt like a trip to the dentist. I told myself, it’s only hair. 

The salon was small and quiet, only a couple of customers on Saturday at noon. I tried to appear nonchalant, like someone who tries out a new hair stylist every other month or so, but I must have been ashen because the stylist zeroed right in on my case of nerves.

“It’s going to be okay,” s/he said, like a parent reassuring a kid with a skinned knee.

I considered bolting, but I didn’t. I wondered, sitting there, waiting, why haircuts make me so nervous. And then I remembered.

The monstrous machine

The Bad Perm
The Bad Perm

When I was a little girl, I had really pretty hair. In most photographs, it’s shiny and clean and nicely curled, usually with a big bow. But my mother must have gotten tired of taking care of it. That’s the only explanation I can fathom for why, when I was three, maybe going on four, she took me to the beauty parlor over the drugstore, up the same stairs to where the doctor’s office was. I had been in that beauty shop before with my mother. Somebody had probably trimmed my hair. I’d seen women sit under the permanent wave machine, a monster of a thing with long tentacles that attached to their heads. I’d never dreamed it could happen to me, but that day, it did. My mother apparently wanted my hair short and carefree. Somebody cut my long hair off, and then I sat under that machine, breathing in the awful permanent wave solution fumes, those fumes and fear and humiliation making me cry.

I remember that, when we got home, I refused to look in the mirror. I don’t remember ever looking, although at some point I must have. I couldn’t have avoided mirrors for the long time it took for the awful frizzy perm to grow out. You can see for yourselves in the photo how bad it was. 

What possessed my mother? I have no idea. Whatever it was, she must have felt guilty because by my fifth birthday, my hair was long again, and pretty.

Back to the present

Of course, the encounter with the new stylist wasn’t perfect, either. There were a few problems:

  • S/he was running late.
  • S/he cut it too short.
  • S/he talked too much.
  • S/he didn’t listen to what I said I wanted.

I’ll stick with this stylist for a while, though. After all, I’ve made the break, and making up is just too hard. I’ve already gone back a second time, and this time, I let this new person, this person I hardly know, color my hair. Now that, my friends, is trust. And, would you believe—I like it!

Do you have hair horror stories? If so, share them here!

Listening Back

I haven’t been able to get these words out of my head today:

We cannot live our lives constantly looking back, listening back, lest we be turned to pillars of longing and regret, but to live without listening at all is to live deaf to the fullness of the music.  — Frederick Buechner, The Sacred Journey

My Wordsmith Studio friend, Lara Britt, keeps encouraging me to write memoir.

“But I write fiction,” I tell her; “I don’t write memoir.”

Oh sure, I’ve written some pieces for this blog, mostly in the context of exploring memory in relationship to story. Or at least that’s what I’ve told myself. I have to confess, though, that I found it cleansing to “get them out,” those stories, some of them like a painful tooth; it felt good for them to be gone, no longer cooped up inside my head. But a memoir, a cohesive story of my life? No, I don’t think I have the material. Or the nerve. Because it takes courage to remember.

no such thing as perfection

I used to think I’d had a nearly perfect childhood. Nobody beat me. I didn’t grow up poor. I didn’t grow up rich. But I was an only, overprotected child in a household where the grown-up dynamics were complicated, so not so perfect, after all. Idealistic and immature, I did what I was expected to do: got a teacher’s license so I could “take care of myself” if the need arose, married a good boy with “promise,” settled down and had babies and and generally lived what I thought would always be the good life. How can I get stories out of that?

Well, life doesn’t always turn out that way, does it? And that’s where remembering gets hard.

looking back, listening back

I understand Buechner’s “looking back” as an easy metaphor for examining the past. When we look back, we either boldly turn and face the past head on or we glance over our shoulders so memory comes at us a little sideways, a little slant of the truth. Either way, we see visions of how things used to be. Sometimes they’re lovely; sometimes, nightmarish.

My dad's radio / Gerry Wilson

My dad’s radio / Gerry Wilson

But how do we “listen” back? Maybe Buechner means the way we play old “tapes” in our heads: the reruns, the should-haves, the voices, the patterns of thought that occupy our minds and keep us spinning helplessly in one place, not moving ahead but not able to go back, either, which of course we can’t do; we can never, ever go back, not to the previous minute or hour or day, not really, except through the filter of memory.

Too much dwelling on the past and we risk turning into “pillars of longing and regret,” Buechner says. Soured on life. Stuck. Sad. Lost.

deaf to the fullness

But then Buechner makes the turn, important in a poem but also in any good story: “to live without listening at all is to live deaf to the fullness of the music” [emphasis mine]. To shut off remembering is to miss out. Shutting off the past makes us less than what we can be and keeps us from living fully now.

So maybe my friend is right. Maybe all our remembered stories, no matter how simple they seem on the surface, deserve to tell their noisy little selves: to shout out, to sing off-key, to be messy and loud, heartbreaking and beautiful at once. Just like our lives.

Nobody wants to “live deaf to the music.” How do you confront—or embrace—your past?